All Domenico Ghirlandaio Oil Paintings

Italian 1449-1494 Domenico Ghirlandaio Galleries Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation
 
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Domenico Ghirlandaio Triumphal Arch oil on canvas


Triumphal Arch
Triumphal Arch
Painting ID::  28128 		  mk61 c.1608-1610 Oil on canvas 70x60cm
  mk61 c.1608-1610 Oil on canvas 70x60cm

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Domenico Ghirlandaio The Adoration of the Magi oil on canvas


The Adoration of the Magi
The Adoration of the Magi
Painting ID::  28872 		  mk65 Oil on panel 67 11/16in
  mk65 Oil on panel 67 11/16in

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Domenico Ghirlandaio Madonna and Child Enthroned with Four Angels,the Archangels Michael and Raphael,and SS.Giusto and Ze-nobius oil on canvas


Madonna and Child Enthroned with Four Angels,the Archangels Michael and Raphael,and SS.Giusto and Ze-nobius
Madonna and Child Enthroned with Four Angels,the Archangels Michael and Raphael,and SS.Giusto and Ze-nobius
Painting ID::  28873 		  mk65 Oil on tempera on panel 75 3/16x78 3/4in
  mk65 Oil on tempera on panel 75 3/16x78 3/4in

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Domenico Ghirlandaio The adoration of the Konige oil on canvas


The adoration of the Konige
The adoration of the Konige
Painting ID::  38463 		  mk137 1488 Tempera on wood chalkboard diameter 171cm Galleria degli Uffizi, Florence.
  mk137 1488 Tempera on wood chalkboard diameter 171cm Galleria degli Uffizi, Florence.

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Domenico Ghirlandaio Adoration of the Magi oil on canvas


Adoration of the Magi
Adoration of the Magi
Painting ID::  40258 		  mk156 1488 Tempera on panel
  mk156 1488 Tempera on panel

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     Domenico Ghirlandaio
     Italian 1449-1494 Domenico Ghirlandaio Galleries Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation

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